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Part 1: Re-Veneering the Wood

By John Brock

An aging Triumph can become like an elderly but spry Las Vegas lounge lizard—still serviceable internally, but shopworn and sun-damaged on the outside. Casinos have low lighting, but on a sunny day at a car show, dull paint and a cracked and peeling dashboard are very visible, and a played-out dashboard can be particularly disheartening. Although vestiges of its former glory remained, the dash on my ‘72 GT6 project was marred by flaws; both the wood and vinyl sections needed renewal, but I was budget-conscious and so this would be a DIY project. First I would redo the vertical wood section, and then the black vinyl horizontal piece.

 

The wooden dash is made up of three sections, each with a thin veneer covering. In my case, the right-hand section was cracked and needed replacement. Using it as a template, I cut a new one, and then used an adjustable hole-cutter and a drill press to create the circular opening for the passenger air vent.

 

Figure 1. Constructing a new section of the wooden dashboard.

 

Next, I glued a thin oak veneer to the three dash sections, using a special adhesive and a homebuilt press of plywood and C-clamps (Figure 2). Note the adhesive and roller applicator in the background in the picture on the right. When positioning the veneer, be sure to match up the grain pattern across the section borders.

 

Figure 2. New veneer positioned on the remade dash section, and the DIY veneer press in operation.

Once applied as a continuous sheet, the replacement veneer must be trimmed away at all openings (Figure 3), a step that is fraught with opportunities to slip or snag and ruin the new surface. Some folks may rely on an X-acto knife for delicate trimming, but I suggest a small handheld trim router. A complication here is that the instrument holes are stepped, with a shoulder, and thus a greater diameter on the outer side (see the leftmost Figure 3). The solution is to use a carefully selected offset trim router bit; note that I had to use tape to calibrate the depth of the “step” within tolerances. Using a patient and steady hand (skip the espresso!), trim the excess veneer out of each opening. Note that not all of them require a stepped cut.

 

Figure 3. Original dash section on a sheet of new veneer, showing the “stepped” instrument hole, the offset trim router and the partially trimmed left dash section.

 

Given the simplicity of ‘70s Triumph controls and gauges, I decided to skip labeling the switches (with its possibility of uneven lettering). Also as a matter of personal preference, rather than thick shellack I finished the new veneer with several light coats of clear polyurethane from a spray can (Figure 4).

 

Figure 4. The restored wooden dashboard for my 1972 Triumph GT6.

 

Next will be Part II, restoration of the black upper surface of the dash.

 






This turnout at the Owl’s Head Museum’s annual Foreign Car Festival was one of the best ever. Gloomy weather notwithstanding, on Saturday cars seemed to fill almost the entire apron outside the hangars. We weren’t the sole club represented, of course, but there were many familiar faces. One sight particularly grabbed my attention, and I share it with you below.


These are MMSCC cars united by common purpose and separated by a mere 86 years: Sarah Rheault’s 1935 Riley Imp alongside Gage Whittier’s 2021 Honda Civic Type R. The Imp took five of the top 10 spots (including first) in its class in the 1,000-mile RSAC Scottish rally in 1934; and the Type R holds the lap record for front-wheel-drive cars at the Nurburgring. I am pleased that there is room in the MMSCC tent for two such diverse-but-similar thoroughbreds and their owners.






Considering the weather forecast, club members and the public would have been

forgiven for staying home, but at midday, just in time for the start of the show, the

sun came out to burn off the humidity and light up an array of some 39 memorable

cars. At least two sets of members, Bob and Jean McKay and Ian and Claire Marshall,

arrived by boat, so their cars—vintage Italian and British—were absent. However, a gleaming Arctic White 2024 Corvette Stingray and a lovingly tricked-out 2022 Honda Civic Type R underscored the newly democratic nature of the Mid Maine Sports Car Club.


Judges Albert Aniel, John Shepherd and Bob McKay took their duties seriously,

choosing to reward originality, patina, ownership history and road-worthiness, or

how often a car is actually driven. (Their mantra seemed to be “No trailer queens.”)

After due deliberation, first place was awarded to Katharina and Paul Garber for their outstanding 1954 Jaguar XK120. Dexter and Sheila Polistock took second place with their rare Sunbeam Tiger, the first one in memory to appear in the show. John Freeman’s sparkling white 1965 Jaguar Mark 2 came in third, “just,” someone said, “for being such a gorgeous car.” And the Judges’ Special Award went to MMSCC charter member Sarah Rheault for her wonderful 1935 Riley Imp.


As usual, the display area on Chestnut Street in the center of Camden was roped

off for us and a number of the holiday visitors in town appreciated being able to

take in the show. Great thanks to Ed Schultz, head of our Events Committee, for

producing the show and making it look easy; to the judges and all the members

who stepped up to assist; and to Dennis Griggs, our veteran lensman, who with the

aid of his wife Diane took these photographs.



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